TY - JOUR
T1 - The personal is the (quasi-) political
T2 - The role of memes in critiquing and reproducing hegemonic narratives among reservists’ wives
AU - Lowenstein-Barkai, Hila
AU - Friedman, Elie
AU - Rosenberg, Hananel
N1 - Publisher Copyright:
© The Author(s) 2025. This article is distributed under the terms of the Creative Commons Attribution-NonCommercial 4.0 License (https://creativecommons.org/licenses/by-nc/4.0/) which permits non-commercial use, reproduction and distribution of the work without further permission provided the original work is attributed as specified on the SAGE and Open Access pages (https://us.sagepub.com/en-us/nam/open-access-at-sage).
PY - 2025
Y1 - 2025
N2 - This study explores how digital humor functions as a form of critique in contexts where overt dissent is constrained. Focusing on memes shared by members of a Facebook support group for Israeli reservist soldiers’ wives during the 2023 Israel–Hamas war, the study analyzes how humor helps negotiate personal and collective tensions. Using thematic and critical discourse analysis, we identify four spheres of critique—targeting spouses, social circles, institutions, and broader expectations. These memes convey frustration and resistance not through direct confrontation, but via irony and satire, allowing women to express grievances while remaining aligned with hegemonic national narratives. We conceptualize this as quasi-political expression, where personal complaints, framed humorously, subtly challenge and reinforce dominant discourses. By introducing this concept, the study highlights how individuals in ideologically constrained settings use digital culture not only to resist or reproduce power, but to navigate the blurred boundaries between personal and political life.
AB - This study explores how digital humor functions as a form of critique in contexts where overt dissent is constrained. Focusing on memes shared by members of a Facebook support group for Israeli reservist soldiers’ wives during the 2023 Israel–Hamas war, the study analyzes how humor helps negotiate personal and collective tensions. Using thematic and critical discourse analysis, we identify four spheres of critique—targeting spouses, social circles, institutions, and broader expectations. These memes convey frustration and resistance not through direct confrontation, but via irony and satire, allowing women to express grievances while remaining aligned with hegemonic national narratives. We conceptualize this as quasi-political expression, where personal complaints, framed humorously, subtly challenge and reinforce dominant discourses. By introducing this concept, the study highlights how individuals in ideologically constrained settings use digital culture not only to resist or reproduce power, but to navigate the blurred boundaries between personal and political life.
KW - Collective identity
KW - Reservist soldiers’ wives
KW - digital culture
KW - memes
KW - wartime humor
UR - https://www.scopus.com/pages/publications/105020721053
U2 - 10.1177/14614448251386384
DO - 10.1177/14614448251386384
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AN - SCOPUS:105020721053
SN - 1461-4448
JO - New Media and Society
JF - New Media and Society
M1 - 14614448251386384
ER -