TY - JOUR
T1 - Beyond textual fidelity
T2 - Creator interactions, professional boundaries and cultural hierarchies in Israel’s youth media adaptation system
AU - Aharoni, Matan
N1 - Publisher Copyright:
© 2025 Intellect Ltd.
PY - 2025
Y1 - 2025
N2 - This study provides a new perspective on adaptation processes by examining the interactions amongst television screenwriters and book authors within Israel’s youth media system. It explores the relationships and dialogues between these content creators during the adaptation process using polysystem theory and a media systems integration model as theoretical frameworks in specific contexts. Through semi-structured interviews with fifteen youth content creators (seven screenwriters and eight authors), this study reveals how adaptations are shaped by professional norms and interpersonal dynamics in this marginal media system. The findings identify three key dynamics: creative autonomy for practitioners, which enables content creators to exercise their expertise whilst maintaining collaborative respect; interpersonal adaptability in navigating personal relationships and professional egos; and adherence to core narrative principles that preserve essential story elements. Additionally, the research exposes a status distinction within adaptation practices: literary-to-screen adaptations are regarded as culturally valuable and pedagogically beneficial, whereas screen-to-literature adaptations are considered primarily commercial ventures with minimal artistic merit. These findings demonstrate how adaptation outcomes emerge from production contexts and professional relationships rather than being determined exclusively by source material analysis. The present work contributes to adaptation theory by highlighting the significance of production environment and creator collaboration in shaping adaptation processes and their cultural reception.
AB - This study provides a new perspective on adaptation processes by examining the interactions amongst television screenwriters and book authors within Israel’s youth media system. It explores the relationships and dialogues between these content creators during the adaptation process using polysystem theory and a media systems integration model as theoretical frameworks in specific contexts. Through semi-structured interviews with fifteen youth content creators (seven screenwriters and eight authors), this study reveals how adaptations are shaped by professional norms and interpersonal dynamics in this marginal media system. The findings identify three key dynamics: creative autonomy for practitioners, which enables content creators to exercise their expertise whilst maintaining collaborative respect; interpersonal adaptability in navigating personal relationships and professional egos; and adherence to core narrative principles that preserve essential story elements. Additionally, the research exposes a status distinction within adaptation practices: literary-to-screen adaptations are regarded as culturally valuable and pedagogically beneficial, whereas screen-to-literature adaptations are considered primarily commercial ventures with minimal artistic merit. These findings demonstrate how adaptation outcomes emerge from production contexts and professional relationships rather than being determined exclusively by source material analysis. The present work contributes to adaptation theory by highlighting the significance of production environment and creator collaboration in shaping adaptation processes and their cultural reception.
KW - creator collaboration
KW - cultural stratification
KW - marginal media system
KW - media systems integration model
KW - polysystem theory
KW - transmedia storytelling
KW - youth content
UR - https://www.scopus.com/pages/publications/105025045954
U2 - 10.1386/josc_00183_1
DO - 10.1386/josc_00183_1
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AN - SCOPUS:105025045954
SN - 1759-7137
JO - Journal of Screenwriting
JF - Journal of Screenwriting
ER -